DESCRIBE YOUR STYLE OF WORK AND HOW YOU WORK WITH OTHERS
I am passionate about finding ways to creativity tells stories, filled with rich subtext. Coming from a commercial background the stories are specific in what we want it portray, yet visually and emotionally created to engage audience. Working with others have been for me the highlight of being in film. From the start of my filmmaking journey I believed this is 100 percent essential to make a good film. I have collaborated with people in every field to bring each film, commercial to life. Currently I am in process of a film called William Austen. This required working with the person, whose live story it is, as well as drawing on well experienced directed Bruce Macdonald. On past productions I have spent significant time to give my team chance to explore how they view the story in their designation. Visual research, presentations and collectively pitching has offered great insight into telling stronger stories.I have co directed 2 feature films. Also been mentored by Sara Blecher at Talents and various others over the years
What is for you the most challenging moment during a film/series production and why?
Currently to be honest it is finding the best way to bridge markets, and get the required funding to make the film. I have been able to do big commercials, as well as films with very little budgets, strongly relying on the team involved to bring together the story. My challenge now is to find ways to create films that can go beyond the South African small cinema market, in order that we can make more films, and explore what it means to be South African filmmakers in a global context
Please name a topic that is important for you and how you deal with it in your work.
Currently a topic that is very important to me is Being a man, or a father. In my research of writing the book WILLIAM AUSTEN, I have found the role that a father play, and the impact it has on a small boy growing up without a father. I am myself recently a father and it makes me very conscious of this. Dealing with it in my own work. It has definitely influenced me to question the type of films I make, for whom firstly, and what it portrays. The films I have made so far has strongly had a social element to them in that they were used for community screenings- (such as the hiv/aids virgin cure myth) and other related. This has been a great strength. However I am slowly returning to rediscover the art of firstly telling a story that engage, entertains and take audience on a journey. Seeing the world through this perspective have allowed me to ask the question- do I care, when I watch a film. This has opened a whole new array of filmmaking combining the emotional journey as well as entertainment
i wake up to see a world... filled with drama...conflict...suspense adventure and fantasy. I wake up to see the stories all around me... it makes me feel alive. Watching others meet and in conversation i overhear the exhcange of stories.... as people narrate their lives lver to each other trading tales back and forth. It makes me realise.... that this... life... is not merely an intelectual excercise. And that people are not moved to action by an overload of data... technology or spreadsheets... people are moved by emotion.. and the best emotions are usually engaged by the simple phrase...once upon a time. I am honoured to be a descendant of an immense and ancient community of holy people... of troubadours, of travelling poets, kings, boer kommando - of storytellers.... i tell stories in order to live
DESMOND DENTON, filmmaker with a strong vision of creativity and its practical execution. With over 13 years of multimedia, film and lecturing experience. the ability to work with diverse groups of people, including international clients and crew. Desmond has directed for many leading world brands such as LUX, OPEL, JACK FRIEDMAN, DOS EQUIS, REPS FITNESS
Whether he lends himself to using moving images with music to captivate fans of a band or crafting a storyboard to create commercials for clients- Desmond offers lushly seductive imagery, heart rendering character based stories and creates new worlds through stories.
He asks for reinvention and through captivating films he turns on our curiosity into that which is sometimes overlooked. Socrates said, “An unexamined life is not worth living” and for Desmond the true story lies in the unseen that which lurks beneath it all; the subtext. He shows us what truly lies behind the rich tapestry of visual delight.
Desmond has directed various commercials and feature films of which his first Anderkant die stilte, has won various awards and nominations at international festivals such as Monaco International, Cape Winelands International. These awards including best directed, produced and written. His second feature Lenteblom, which deals with the Virgin cure related to aids have been release successfully to over 10 000 farms across South Africa.
“ As a storywriter/ brand specialist I hold a hope for our continent to reassess the way we see ourselves, to present a new fresh story. We’ve been sidelined, belittled and misunderstood, but our time has come. It is time we share the stories of significance, of Africa’s potential and its people.”